![]() ![]() The as-yet-untitled documentary about Velvet Underground, who served as the house band at Andy Warhol’s Factory early in their career, will “rely certainly on Warhol films but also a rich culture of experimental film,” Haynes said. “Their influence has nothing to do with sales or visibility or the ways we portion ideas of success.” “They’re the most influential of bands – as Brian Eno said, everybody who bought started a band,” Haynes said while announcing the project ( via Variety). The director’s announcement comes just months after the band’s debut The Velvet Underground & Nico celebrated its 50th anniversary. The Velvet Underground, fronted by Lou Reed, created a new sound. In the mid-1980s, the word was loaned to a new kind of underground music. Todd Haynes announced at the Locarno Film Festival that one of his next projects would be a documentary based on the Velvet Underground. Apple has landed rights to The Velvet Underground, a new feature documentary from director Todd Haynes and Polygram Entertainment. 90s Grunge Aesthetic Gif - 15 images - smiley on tumblr, pin by todd ross on. The release date for the film, titled The Velvet Underground, has not yet been announced, but the documentary promises a “treasure trove” of never-before-seen live footage, Andy Warhol films, and interviews with band members and other key figures. Abba and the Velvet Underground and while there may be several steps to go before they can match Dylan's insight Abba's accessibility and the Velvet's. ![]() There’s not a lot said about the Underground’s eponymous third album and nothing at all about their terrific fourth long player Loaded wisely, Haynes also ignores Squeeze, the terrible final Velvet Underground album recorded after Reed quit, leaving the band with no original members.UPDATE: Apple+ has acquired the rights to director Todd Haynes’ long-in-the-works Velvet Underground documentary, the streaming service announced. Haynes’ interest begins to wane after Cale’s departure following the early 1968 release of second album White Light/White Heat, but we do get a few words from his bass-playing replacement Doug Yule. Yes, the mellow Browne has a connection to the famously noisy Velvet Underground. Velvets superfan Jonathan Richman provides valuable context from outside the band, while Warhol superstar Mary Woronov and soft rocker Jackson Browne also offer insight. As important as both were to The Velvet Underground, Haynes is clearly more interested in Cale and Reed’s fractious but creative relationship.Ĭale is seen extensively in recent interview footage, while the late Reed is represented by archival recordings and his sister Merrill, who does her best to defend her famously difficult and acerbic sibling, who’d been subjected to electroshock therapy as a teenager. We also meet the other original members of the band, guitarist Sterling Morrison (a classmate of Reed’s at Syracuse University) and drummer Maureen (Moe) Tucker (a friend of Morrison’s sister) - but not until we’re almost halfway through the film. While Cale was performing experimental music with Tony Conrad and LaMonte Young (here looking like Santa Claus if Santa were a Hell’s Angel), Reed was employed by Long Island-based budget label Pickwick Records, writing and recording novelty tunes like I’ve Got a Tiger In My Tank. It’s also Haynes’ first documentary, and his dreamy aesthetic - seen to great effect in films like Far From Heaven (2002) and Velvet Goldmine (2004) - perfectly suits the Underground’s phantasmagoric sounds.īeginning with John Cale’s memorable 1963 appearance on TV game show I’ve Got a Secret, the two-hour film’s focus is on the classically trained Cale’s relationship with Brooklyn boy Lou Reed, who’d grown up listening to distinctly lowbrow street corner doo wop. 17) is, surprisingly, the first feature length cinematic examination of the band. 15, and screening at the Mill Valley Film Festival at noon on Sunday, Oct. ![]() Todd Haynes’ The Velvet Underground (streaming via AppleTV+ beginning on Friday, Oct. Though outsold by The Beatles a hundred to one, the Velvets have since exerted as much influence as the Fabs. It wasn’t just Bowie, of course: As Brian Eno famously noted, The Velvet Underground didn’t sell many records, but everyone who bought one went out and started a band. Their LPs had been re-pressed in the UK and Europe in the late 1970s (though notably, not yet in the United States), becoming essential components of any self respecting punk rocker’s record collection. I’m not sure which Velvet Underground LP I bought first - maybe the third one? - but by the time I did, the Velvets (who’d never come within spitting distance of the album charts when they were together) were finally hip, having been endorsed by - among others - David Bowie. ![]()
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